Seeing the Sex Pistols in the U.K. for the first time inspired people to form punk bands.  In Toronto it was seeing the Ramones in September 1976 at the New Yorker Theatre at Yonge and Charles streets that lit the spark and ignited the Toronto punk scene. Within weeks people who never sang or played instruments before got together and formed bands. Anyone who was in a band before and saw the Ramones pushed their band in a new direction.

Some of the bands during this transitional point in the scene included the Dishes, Rough Trade, Robbie Roxx, Daily Planet, Eels, Zoom and, from Hamilton, Teenage Head and Simply Saucer. Teenage Head had been playing high schools since 1975 with their revved up their Eddie Cochrane/rockabilly inspired riffs. Back in Toronto, Shock stopped playing MC5, Stooges and New York Dolls covers and became the Ugly.

In October 1976, thanks to Jimmy the Worm, manager of proto-punk band Zoom, the Colonial Underground was first club to put on punk shows.  By January 1977, as momentum began to build, the Diodes were opening up for the Talking Heads at the Ontario College of Arts (OCA).  Because there was more of a cerebral, arty New Wave scene associated with OCA (now OCAD), it was not until the Viletones played their first show in March at the Colonial Underground that the Toronto punk scene really exploded and took off. The Viletones’ singer Steven Leckie, known as Nazi Dog back then, took on Iggy Pop’s wild stage antics and would slice himself with knives or broken bottles, swing chains and generally threaten the audience in various ways.

The Androids, Arson, Battered Wives, B-Girls, Curse, Dents, Diodes, Dishes, Doncasters, Drastic Measures, Eels, Poles, Teenage Head (from Hamilton), Toyz, Ugly, Viletones, Zoom.

Because of the violence associated with these early punk shows, it was difficult to find venues to play. In May 1977, the Diodes and their manager Ralph Alfonso saw the need and connived the Centre for Experimental Art and Communication (CEAC) into letting the band use their basement as a rehearsal space, which was located at Duncan and Pearl streets. While the CEAC people were away in Europe, on weekends the space became the Crash’n’Burn, Toronto’s first punk club.

For many punks under age, this was the first time they were able to go to a “bar” and see numerous local bands plus out of town bands like the Dead Boys, the Nerves, and Teenage Head. This included then 14 year old Don Pyle who photographed many of these bands and in 2011 published his photos in the book Trouble At The Camera Club.

The Crash’n’Burn was closed within 3 months due to complaints from the Liberal Party of Canada which had an office in the same building.  The Diodes also made up rumors that the Prime Minister’s wife Margaret Trudeau was hanging out downstairs with the punks.

Cardboard Brains, Concords, Demics (London, Ontario), Existers, Fits, Forgotten Rebels (Hamilton), Hate, Johnny and the G-Rays, Mods, Nash The Slash, Oh! Those Pants, Scenics, Secrets, Sophisticatos, Swollen Members, Tyranna, Wads.

The Toronto punk scene had another period of growth in 1978 when Gary Topp and Gary Cormier — “The Garys” — began booking shows at the Horseshoe Tavern. They were responsible for bringing the most significant U.S. and U.K. punk bands to Toronto for the first time, including that first Ramones in 1976. They continued to bring influential bands to Toronto well into the 1980’s.

The first wave of bands from 1977-79 had varying styles: pure street level punk of the Viletones, the Ugly and Arson; art-school punk of the Diodes, Doncasters, Drastic Measures and the Poles; power pop of the Mods, Secrets, Tyranna, B-Girls, Existers; punk noise of the Curse; and straight up to oblique rock’n’roll punk of Johnny and the G-Rays, the Battered Wives, Scenics, Government, and Cardboard Brains.  There was also the very unique one man band Nash The Slash, bandaged mummy-like from head to toe, playing electric violin and synths.

Concurrently, London, Ontario, had the Demics who wrote the punk classic “New York City”, voted the greatest Canadian song of all time by CHART magazine readers in 1996.  Nearby Hamilton had Teenage Head and the Forgotten Rebels, whose first albums were put out by Star Records which was originally a Hamilton record store owned by Paul Kobak, Teenage Head’s first manager.  Bob Bryden who was in the late 1960’s psychedelic bands Reign Ghost and Christmas produced the Forgotten Rebels’ first two albums.  There was also the Pink Flyod influenced proto-punk of Simply Saucer.

After the Horseshoe Tavern had it’s last punk show on December 8, 1978, the Toronto punk scene lost it’s energy and by the early 1980’s became more fragmented, with keyboard based New Wave and New Romantic groups becoming an increasingly dominant, although rockabilly had a resurgence with the Bopcats and Razorbacks.  Even the Viletones went through a rockabilly phase. Incidently, the city’s first surf band, Mark Malibu and the Wasagas, emerged around this time.  Some of the more notable punk bands from 1979-80 are the Raving Mojos, Swollen Members, Rent Boys, Zro4, Stark Naked and the Fleshtones and, from Hamilton, the Dream Dates and Slander.

The Anemics, Babyslitters, Bopcats, Crash Kills 5, Dead Bunnys, Dick Duck and the Dorks, Dream Dates (from Hamilton), Government, L’Etranger, Jitters, Martha and the Muffins, Polkaholics, Raving Mojos, Razorbacks, Rent Boys, Rough Trade, 63 Monroe (from London, Ontario), Slander (from Hamilton), Stark Naked and the Fleshtones, V-Necks, Wayouts, Zro4.


In 1977 Ross McLaren captured some of these bands in his 30 minute film Crash’n’Burn, while Peter Vronsky created a short documentary for CBC TV about the early Toronto scene called Dada’s Boys. In 1978 Suzanne Naughton made two short films at the New Rose punk store showing the Viletones and other punks hanging out.  In December 1978, Colin Brunton filmed The Last Pogo, capturing the last punk show at the Horseshoe Tavern before the club reverted back to it’s country roots. Brunton went on to produce Roadkill, Highway 69, Hedwig And The Angry Inch and, in 2012, he and co-director Kire Paputts completed a feature length follow up documentary The Last Pogo Jumps Again that catches up with all the old punks. In 2010 the Diodes’ story was told by Punks And Rockers’ Aldo Erdic in the documentary short circa 1977: The Diodes, which included a return visit to the Crash’n’Burn building (now a lawyer’s office).

While Don Pyle’s book Trouble At The Camera Club provides a great visual record, Liz Worth’s book Treat Me Like Dirt gives a detailed oral history of Toronto’s punk scene from 1976 to 1981, with some amazing stories.  Sam Sutherland also talks about the early Toronto punk scene in his 2012 book Perfect Youth: The Birth Of Canadian Punk.


In addition to the ones mentioned above, the main clubs that had punk shows were the Colonial Tavern, Club David’s, Shock Theatre, the Beverley, Edge, Turning Point, El Mocambo, Hotel Isabella and Masonic Temple (which became the Concert Hall in the 1980’s and eventually home to MTV Canada in the 2000’s). A few significant shows were also held at Seneca College in 1977 and 1978, such as Patti Smith and Iggy Pop (accompanied by David Bowie on keyboards).  The Rex Theatre also had the Clash’s first Toronto show in 1979.

The main promoters were The Garys: Gary Topp and Gary Cormier. They were responsible for bringing the most significant punk bands from the U.S.A. and U.K. to Toronto for the first time, including the first Ramones in 1976. They continued to bring influential bands to Toronto well into the 1980’s.


A few of the bands managed to scrounge up some money to do a demo tape or release a 7 inch single or EP, there are only a few full length albums to be found from 1977-79 such as those by the Diodes, Battered Wives, Teenage Head and Forgotten Rebels. Many of these singles, EPs and tapes were compiled by Other People’s Music and released in the mid-1990’s.  Ugly Pop Records also began re-releasing some of the original 1970’s recordings on vinyl in the 2000’s.

Although the Diodes signed to CBS and the Battered Wives did eventually get a deal with Epic records, the big break most bands were looking for never happened.  There was a cool weekend stint at CBGB’s in 1977 with the Viletones, Teenage Head and the Diodes and some bands did tour the US, but none of the Toronto bands made it to the UK, which might’ve made a difference in getting the Toronto scene more of an international profile.

In the late 1970’s it was hard to find punk records. The only all punk store was New Rose located at Queen and Parliament, which was owned by Margarita Passion, the girlfriend of Viletones’ guitarist Freddy Pompeii. Punk imports could also be found at the Record Peddler, Kopps Kollectables and, less frequently, at Sam The Record Man, which remained in business until the late 2000’s.

Fanzines included  the Pig Papers by Gary Gold, Toranna Punks by Johnny Garbagecan (the Ugly’s roadie) and Shades Magazine, started by George Higton from the Existers.


June 21, 1969 The Velvet Underground plays Varsity Stadium.

Oct. 27, 1973 The New York Dolls play the Victory Burlesque Theatre.

Jan. 25, 1974 Iggy and the Stooges play the Victory Burlesque Theatre.

Sept. 24, 1976 The Garys (Topp and Cormier) bring the Ramones to the New Yorker.

Jan. 28, 1977 Talking Heads play OCA with the Diodes opening.

Mar. 1977 The Viletones play their first show at the Colonial Underground.

May 1977 The Crash’n’Burn opens, becoming Toronto’s first band run punk club.

The Androids,  B-Girls, Curse, Dents, Diodes, Dishes, Doncasters, Drastic Measures, Poles, Teenage Head (from Hamilton), Toyz, Ugly, Viletones, Zoom.

Oct. 1977 The Diodes become the first band to release a full length album.

March 1978 The Garys begin booking punk shows at the Horseshoe.

Arson, Battered Wives, Cardboard Brains, Concordes, Demics (from London, Ontario), Existers, Fits, Forgotten Rebels (from Hamilton), Hate, Johnny and the G-Rays, Mods, Nash The Slash, Scenics, Secrets, Tyranna.

Dec. 1, 1978 The Last Pogo documents the Horseshoe’s last punk show.

Jan. 1979 The Garys now booking shows at the Edge.

1979-80 Punk in transition, from old school to quirky New Wave to rockabilly.

The Anemics, Babyslitters, Bopcats, Crash Kills 5, Dick Duck and the Dorks, Dream Dates (from Hamilton), Government, L’Etranger, Mark Malibu and the Wasagas, Martha and the Muffins, Raving Mojos, Razorbacks, Rent Boys, Rough Trade, Sharks, Jane Siberry, 63 Monroe (from London, Ontario), Slander (from Hamilton), Stark Naked and the Fleshtones, Swollen Members, V-Necks, Wayouts, Zro4.

    25 Comments. Leave your Comment right now:

    1. ARSON was actually formed in 1977 and temporarily shared The Ugly’s rehearsal space in the old Phillip’s building. Our first shows were in early ’78 playing with The Ugly, then The Viletones and our third show was opening for The Dead Boys, Aug 8th, 1978. That year we also shared the stage with The Troggs, Demics, The Fast (NY) and numerous others. In ’79 ARSON toured three times visiting Montreal, Detroit (twice), Cleveland, Chicago (three different dates), Ottawa, Milwaukee, Hamilton, New York City, etc. and by 1980, we were pretty much done.

    2. by Aldo

      Thanks for that, Rude. I’ve corrected it. I hope other people will add similar sort of details about some of the other bands I’ve glossed over or might’ve missed.

    3. You might want to also mention Simply Saucer. Not so much “punk”, as proto-punk, and for sure some of the pronouncements in various books about their supposed influence were fanciful at best, they HAD been wearing thrift store clothes and wearing sunglasses at night while playing their brand of Hawkwind/Velvet Underground inspired noise among the feather cuts and platform shoes wearing riff merchants out in Hamilton before anyone else.

      • by John Hamilton

        One of the quirky go-your-own-way 70s transitional bands like Robbie Roxx, Rough Trade, Daily Planet, Dishes, etc.

        • by Aldo

          Thanks John. I’ve added that to the post.

    4. by Aldo

      Good point, Richard. I added Simply Saucer to the Punk History 1 post.

    5. by Aldo

      Another band from 1978 that was point out to me was the Tools. Can anybody share some info on them? Or the Baby Slitters?

      • by Lester

        I personally knew the Baby Slitters and on occasion helped them with equipment and finding rehearsal space for them, one in particular was upstairs on St. Clair West in a publishing house where I worked known as Pitt Publishing. I remember hauling up a Traynor amp up thr narrow stairs with Bryan the bass player. The lead singer was a girl named Regan. She rehearsed with us but wisely stayed with the Slitters. I do have cassettes of those somewhere. I remember a memorable performance of them at the Horseshoe if memory serves me well. I can now admit to havinghad a crush on Regan lol I used to meet her at Larry’s(Larry’s Hideaway) Her vocals had a real intensity and the band in general a visual impact. Bryan was notable as an excellant bassist.

    6. by Myke

      1980 also saw swindled from Pickering form.

    7. by larry manson

      This is Larry Manson, former guitarist with a Toronto band called The Hate. To set the Record straight: Mr. Shit was NEVER the singer for The Hate. Angie Ignorant was and will FOREVER be the singer for that band. Mr. Shit was a dear friend and confederate of ours. Any remembrance of our band, whether pro or con is appreciated. Thanks.

      • by Anonymous

        Angie Ignorant is the new and improved Jesus Christ better than the original

    8. by Jessica-Lyn Saunders

      Yeah, I’m wondering why the band “The Hate” (which my uncle and father were both in) aren’t mentioned here. They played with many punk bands back in the 70’s and are even mentioned in Don Pyle’s book “Trouble In The Camera Club”. They were an amazing punk band.

      • by Anonymous

        The Hate singer Angie Ignorant. Will always be better than Jesus Christ

    9. by John Hamilton

      The Colonial Underground run by Zoom’s manager Jimmy the Worm started booking Punk bands in October of 1976. The Viletones, Diodes, Battered Wives & Teenage Head all played there before the Crash & Burn opened in May of 1977. It was Toronto’s first Punk club. It was still running till the riot in the summer of 1977.

    10. Iggy & The Stooges played at The VIctory in January of 1974, not 1972. James Williamson was on guitar with Ron Asheton on bass.

    11. by Daf

      No mention of HeadSpace at Larry’s Hideaway…there was exposure for some punk music there , correct?

      • by Anonymous

        Yea Larry’s was by far the most important club early on. Club David’s , the Edge and the turning point round out the rest. The Thing about Larry’s is it was big once the sene was happening , it was toronto s CBGBs for sure. Same cockroaches in the toilet and Jake and Fred running the place. Funny enough the two biggest punk bands by far were from Hamilton and not Toronto. Teenage Head and the Forgotten Rebels!

      • by Lester

        Absolutely I recall the Viletones playing epic shows and big name acts like Blondie and Nina Hagen. Best slam dancing ever as suggested in the doc “Not Dead Yet”. To get a real picture now you need a time machine. It seems like another age.

        • by Lester

          Nobody has mentioned Chronic Submission! I remember them at Larry’s and at Liberty an after hours warehouse space near the exhibition(Liberty Street).Superb band. Very young at the time but tight and very high energy. The other after hours place for us underagers was River street next door to the humane society and down the alley towards the river.

    12. I saw the government new years eve 1980 at the horseshoe. Very impressed. Love their records and act. Whatever happened to them?

      Asher from Detroit

      • by Lester

        I remember talking guitar with Peterson the lead singer in a club in the west Queen street area that I can’t remember the name. Their ‘big hit’ was Flat Tire. Very uncommercial. It seems they played an entire ep over the radio so we could tape it. I associate them with Jerry and the Holograms for some reason.

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    14. by Jennifer

      Does anyone know when the Colonial tavern underground closed?

    15. Pingback: A Journal of Musical ThingsToronto's (Canada's?) Punk Club, Crash 'n' Burn, Opened 40 Years Ago Today - A Journal of Musical Things

    16. Pingback: A Journal of Musical ThingsToronto's (Canada's?) First Punk Club, Crash 'n' Burn, Opened 40 Years Ago Today - A Journal of Musical Things

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